Golden Hofner No 67
Only a blonde finish was available of course, and all metalwork was gold plated. The guitars were a cocktail of exotic timbers, mother of pearl inlays, pearloid and veneer binding and purfling. The body size is the largest of any Hofner, with the lower bout measuring 18" across. Flame maple was used for the back and sides of the body, with the top usually (but not always!) being carved from solid spruce. The finger board was made from Grenadilla ebony, and this was seated upon an eleven piece (yes, 11 piece!) laminated neck. Although at first glance, the Golden looks similar to the Committee, the Committees at that time only had a 17.5" wide body, and its back and sides are almost always birdseye maple. Of course, the Committee doesn't boast gold plating, the eleven piece neck, and the massive amount of purfling of the Golden either!
All electric Goldens had two pickups, the type of which was dependent on when each particular guitar was assembled. The earliest Goldens had the Type 1 "Black Bar" single coil pickup", and the later ones had the single coil "Diamond Logo" single coil or twin coil "Super" Type 511 units. The majority however were fitted with Type 2 "Toaster" pickups. The Hofner rectangular control consul was fitted in all cases.
Production of the Golden was
commenced in late 1959, but despite this early date, all Goldens have
truss rods fitted. The "Escutcheon" type tailpiece is ornately engraved and gold
plated of course. (At the time of Golden Hofner production, the Committee was
fitted with the "Lyre" tailpiece, though in about 1963/64, this was changed to a
chrome "Escutcheon" type.) The machine heads of the Golden were a top quality
enclosed type throughout the whole production period. Finely detailed buttons
were fitted, but these tend to be not quite as fragile as those fitted to the
Committee which do have a tendency for
the extremities of the button to break off.
The production
of the Golden Hofner had started in November 1959. The Golden Hofner #23 was
assembled on 26 January 1960, so it is likely that the bodies of the first 24
examples were all completed by the end of January 1960. According to former CEO
Christian Benker, Hofner usually used to work on twelve guitar bodies in a batch.
Golden Hofner #25 was assembled in May 1960. This marks a
start of the second version of the Golden Hofner.
After the 3 month break in production, the look of the guitar had changed
in so many details that it seems reasonable to call it a new
series. We don‘t know why Hofner decided to do this,
but in many ways it seems that they were returning more or less to the
design of the Committee Deluxe, maybe following the request of their UK
distributor Selmer. The Hofner 470 remained unchanged,
keeping the brown binding until production ended in the 1990s.
The headstock of Golden Hofner #23 features a
distinguished white line
Series 1 Golden
Hofner Headstock
Series 2 Golden
Hofner Headstock
THE BINDING:
The brown binding is only to
be found on Golden Hofners which were produced before May 1960. No Golden
Thinline with this sort of binding is known, so it seems likely that the
production on the Golden Thinline finally started with the introduction of the
second series of Golden in spring 1960. All Golden Hofners had white perloid
binding by then.
All first series Golden Hofner guitars were fitted with
brown binding. And while many examples of Mk1 had this very elegant looking
binding/purfling on both sides of the neck/body joint, Hofner did not equip
Series 2 with a similar feature.
Version 1 Golden Hofner Binding | Version 2 Golden Hofner Binding |
THE SOUNDHOLES:
Hofner used brown pearloid
for the soundhole binding of Series 1. The second series of the Golden shows
white pearloid binding around the soundhole.
Series 1 Golden Hofner Soundholes Binding | Series 2 Golden Hofner Soundholes Binding |
THE NUT:
The nut on Golden Hofner
Series 1 is brown/white/brown. This sort of nut was used on the Hofner 470 from
1960 through the 1970s.The nut on Series 2 is white/black/white (below). This
nut was also used on the Hofner Committee.
Series 1 Golden Hofner Nut | Series 2 Golden Hofner Nut |
THE HEEL CAP:
The heel caps installed on the
first series guitars like Golden Hofner #23 were made of the same brown
pearloid material used for the striking binding of this guitar. The heel caps of
the second series examples like Golden Hofner #25 were made of white pearloid.
Series 1 Golden Hofner Heel Cap | Series 2 Golden Hofner Heel Cap |
THE BODY PURFLING:
The majority of Series 1 Goldens have a strip of brown purfling on one or both sides of the body rim directly adjacent to the neck heel. This feature was not continued with the Series 2 guitars.
The brown staining used between the body line-purfling on the first series tends to be much lighter/brighter than that used on Series 2. Here you can see the back of a Golden Thinline, assembled in October 1960.
Series 1 Golden Hofner | Golden Hofner Thinline |
THE PICKGUARD:
The Acoustic, Electric, and Thinline Golden Hofner
is first featured in the 1959/60 Selmer catalogue. Both illustrations show
guitars fitted with an opaque pickguard. It is mentioned on the description of
the acoustic guitar that "the floating plectrum guard is deep-gold finished.
On page 3
of the 1960/61 Selmer catalogue, there is again an advert for the Golden Hofner
Electric, including the Thinline version. The picture shows a Golden Mk1 with a
clear pickguard. On page 17, we find the advert for the acoustic version of the
Golden Hofner. The photo shows a Golden Mk2, again with a clear pickguard.
However, it is mentioned on this page that "the floating plectrum guard is deep
gold finished“. From the above, it can be assumed that the first batches of
Goldens were certainly intended to have the gold pickguard fitted, but a
conscious decision had been made, by the time in mid-1960 when the 1960/61
catalogue had been published, to use a clear pickguard.
Pictures of
Golden #23 supplied by the original owner show that this particular guitar was
delivered with a clear pickguard. Earlier numbered Golden Hofner
guitars came with the golden pickguard. This would appear to tie in with the
catalogue illustrations. The last of the Series 2 Goldens were fitted with the
same type of pickguard that was introduced on the Committee model in 1962; i.e.
the one with the gold Hofner logo and edge lining embossed on the clear perspex.
Later Se
1959-60 Catalogue Acoustic |
1959-60 Catalogue Electric |
1960-61 Catalogue Acoustic |
1960-61 Catalogue Electric |
THE THINLINE GOLDENS:
These guitars were all finished in the same style of the Series 2 full-bodied Goldens. Presumably they were made after the first initial batch of full-bodied guitars.
The shape of the body of the Golden Thinline is different to the Golden. Even though both guitars feature an 18 inch body, the shape of cutaway on the Thinline is less rounded and much more flat. Why this should be so has not been established.
Thinline Golden Hofner | Full-Depth Body Golden Hofner |
(Note: It would appear that two separate Serial Number Series were adopted for the Golden Hofner - one for standard body acoustic and electrics and one for Thinline body electrics. This is in keeping with the policy adopted for other Hofner models such as the President and Senator. It has not yet been ascertained whether the Thinline number series commenced at 1 or 10.........or somewhere in between!)
A: STANDARD BODY - SERIES 1
- Golden Hofner Electric - Serial No.1
- Golden Hofner Electric - Serial No. 3
- Golden Hofner Acoustic - Serial No. 5
- Golden Hofner Acoustic - Serial No. 6
- Golden Hofner Electric - Serial No. 7
- Golden Hofner Electric - Serial No. 12
- Golden Hofner Electric - Serial No. 14
- Golden Hofner Acoustic - Serial No. 15
- Golden Hofner Acoustic - Serial No. 16
- Golden Hofner Electric - Serial No. 21
B. STANDARD BODY - SERIES 2
- Golden Hofner Acoustic - Serial No. 25
- Golden Hofner Acoustic - Serial No. 26
- Golden Hofner Electric - Serial No. 42
- Golden Hofner Electric - Serial No. 43
- Golden Hofner Electric - Serial No. 46
- Golden Hofner Acoustic - Serial No. 52
- Golden Hofner Acoustic - Serial No. 53
- Golden Hofner Acoustic - Serial No. 54
- Golden Hofner Electric - Serial No. 60
- Golden Hofner Electric - Serial No. 61
- Golden Hofner Electric - Serial No. 67
C: THINLINE BODY
- Golden Hofner Thinline Electric - Serial No. 10
- Golden Hofner Thinline Electric - Serial No. 16
- Golden Hofner Thinline Electric - Serial No. 17
- Golden Hofner Thinline Electric - Serial No. 18
- Golden Hofner Thinline Electric - Serial No. 20
- Golden Hofner Thinline Electric - Serial No. 21 (Pre-Restoration)
- Golden Hofner Thinline Electric - Serial No. 21 (Following Restoration)
- Golden Hofner Thinline Electric - Serial No. 22
Golden Hofners Nos 6 & 7. The last time they met must have been back in 1960 at the Hofner Bubenreuth workshops!
1958 Selmer Catalogue Scan.
My guess is that Hofner
started off the serial numbers for the Deluxe at 100.
The highest number that I have found so far is in the 140's. If my guess is
correct, that
would make the Deluxe a very rare and desirable guitar !
- Hofner Deluxe Acoustic - Serial No. 102
- Hofner Deluxe Acoustic - Serial No. 108
- Hofner Deluxe Acoustic - Serial No. 111
- Hofner Deluxe Acoustic - Serial No. 117
- Hofner Deluxe Acoustic - Serial No. 124
- Hofner Deluxe Electric - Serial No. 128
- Hofner Deluxe Acoustic - Serial No. 130
- Hofner Deluxe Acoustic - Serial No. 1??
- Hofner Deluxe Acoustic - Serial No. Unknown
Hofner Deluxe No 117
There
is a mystery guitar that is associated with the British Rock-n-Roll
star of the 1950's, Tommy Steele. Tommy was often pictured with what at
first glance appears to be a Hofner Committee, but with an Escutcheon
type tailpiece, and....a single black bar pickup in the
bridge position which is almost certainly factory fitted. I can only
assume that this guitar is a
Deluxe with E1 type electrics. If anyone has further information about
the guitar, I should be grateful if they would make contact with me..
Register
your own Golden Hofner or Hofner
Deluxe HERE